在“无意义”中，无限的可能性被隐藏起来，似乎我们必须找出我们所沉迷的创意之光背后的事物。当情境、语义和形式都不复存在之时，无意义在这种虚空中存留下来，从现在起成为一张漠然的、完全空白的纸。



In "meaningless", the infinite possibilities are hidden, and it seems that we have to find out what is behind the creative light we indulge in. When the situation, semantics, and form cease to exist, meaninglessness remains in this void, and from now on it becomes an indifferent, completely blank piece of paper.