轴端定义
于通过室内建筑的方式来梳理内络和结构，再对其界限进行重组和再打破，借助既定的格局来强化对相关设计语言的引导性叙述，也意在为项目注入更多的可对外传输点，以此来更有效的反馈到对自身空间的操作性思考。
不设内与外的精准界限，试图通过再结合的方式来连接人与空间，人与人及人与环境的情感维系，也透过更多维的角度发散去重拾日常所被忽略的断层，让回归的意义更落实到日常和更为平凡的事件，再通过我们自己的方式去挖掘更多不同的生活方式探讨和对人性的再思考，让空间更具可考究及情感共鸣的建立。
By means of indoor architecture, the inner network and structure can be sorted out, and then the boundaries can be reorganized and broken down again. By means of the established pattern, the guiding narration of relevant design languages can be strengthened, it is also intended to inject more external transfer points into the project, so as to more effectively feed back into the operational thinking of its own space.
There is no precise boundary between inside and outside, trying to connect people with space, people with people and the emotional relationship between people and the environment through a combination of ways, but also through a more dimensional perspective to rediscover the daily neglected fault, let the meaning of return more into the daily and more ordinary events, then through our own way to explore more different ways of life and re-thinking of human nature, so that the space can be more meaningful and emotional resonance.
方案布置图
探索事物于不同角度的发散认知,以相对述平化的方式Explore the divergent cognition of things from different angles, in a relatively flat way来阐述其内在诸多的复杂可能性,挖掘更多不同的生活方式探讨和对人性的再思考,让空间更具可考究及情感共鸣的建立...To elaborate its many complex possibilities, explore more different ways of life and rethink human nature, so that the space can be more tractable and the establishment of emotional resonance...
于‘秩序性’On the order_借助内结构脉络的逻辑梳理，来强化对其‘设计语言’的拆分叙述，以此来建造更多的延伸组合可能性，且反馈到‘木作’本身的体系与其相关的材质过渡及衔接，由此来解说该品牌定位的体系建立，与金属、与岩板、石材及漆面工艺...Use comb structure within the context of the logic, to strengthen the \'design language of the resolution, in order to build more extended combination possibilities, and feedback to the\' wooden \'itself system with related material transition and cohesion, which illustrate the brand positioning system, and metal, and the rock, stone material and paint process...
于‘建构性’On \'Constructivism\'_以‘再建构’的方式来作为木作品牌的切入及内部探索，组件的拆分及重组，连贯着单件的组合性，以‘分散’来对应整体的切割依据，扩展各分区的组合构件。The way of \"re-construction\" is used as the entry and internal exploration of the wood brand. The split and reorganization of components are consistent with the combination of single pieces. The \"dispersion\" corresponds to the cutting basis of the whole, and the combined components of each partition are expanded.
于‘情绪空间化’On \'Emotion spatialization\'_诸如体验后的感官变化，同行为于人所延伸的情绪使然，二者的矛盾及碰撞，所制造的思考过程，更贴近体态之中的自然，于空间而畅所己想。For example, the sensory changes after the experience, and the extended emotions caused by the behavior, the contradiction and collision of the two make the thinking process closer to the nature in the body, and free one\'s mind in the space.
